Fréwaka (2024)
Dir. Aislinn Clarke
Fis Eirann (Screen Ireland) | TG4 | DoubleBand Films | Wildcard | SHUDDER
Music and Sound Design by DIE HEXEN
Haunted by a personal tragedy, home care worker, Shoo, is sent to a remote village to care for an agoraphobic woman who fears the neighbours as much as she fears the Na Sídhe – sinister entities who she believes abducted her decades before. As the two develop a strangely deep connection, Shoo is consumed by the old woman’s paranoia, rituals, and superstitions, eventually confronting the horrors from her own past.
WINNER | “Best Original Music" | The Irish Film & Television Academy Award | 2025
WINNER | “Best Original Music" | SITGES Film Festival Award | 2024
WORLD PREMIERE | Locarno Film Festival | 2024
“[Aislinn] Clarke and her composer Die Hexen — whose score sounds like Satan’s playlist — set a blackhearted mood”
VIDEo NASTY (2025)
Dir. Christopher Smith and Megan K. Fox
BBC | Virgin Media | Fis Eirann (Screen Ireland) | Northern Ireland Screen | Deadpan Pictures | Boat Rocker Studios
Music and Additional Sound by DIE HEXEN
Set in 1985, when the home video revolution is in full swing, Video Nasty tells the story of three teenagers who go on a quest to complete a cult VHS collection. Instead, they get mixed up in a murder investigation, becoming chief suspects and public enemies.
WINNER | "Best Original Music" | Royal Television Society NI | 2025
NOMINEE | "Best Original Music" | The Irish Film & Television Academy Award | 2026
“Dark, bold and unforgettable”
YOU ARE NOT MY MOTHER (2021)
Dir. Kate Dolan
Fis Eirann (Screen Ireland) | Fantastic Films | Bankside Films | Magnolia Pictures
Music & Sound Design by DIE HEXEN
It’s the week before Halloween and Char’s mother, Angela, has inexplicably disappeared. All that remains is her abandoned car. When she returns home without explanation the following evening, it becomes clear to Char and her grandmother, Rita, that something is amiss. She might look and sound the same but Angela’s behaviour has become increasingly frightening, as if she has been replaced by a malevolent force. When Halloween arrives, a night steeped in ancient myth and legend, Char realises that she is the only one who can save her, even if it means potentially losing her forever.
NOMINEE | “Best Original Music" | The Irish Film & Television Academy Award | 2022
WORLD PREMIERE | Toronto International Film Festival | MIDNIGHT MADNESS | 2021
“Discordant horns [...] dominate an arresting score by avant-garde composer Die Hexen.”
BANSHEE (2026)
Dir. Peter Vass
Tír Films | Blue Raccoon Productions
Music & Sound Design by DIE HEXEN
Set in the 1880s, Banshee follows Róise, whose family is haunted after she discovers a mysterious comb, triggering a series of deaths in her village. It is a period piece with a modern pulse — a story about the old world colliding with the new, carried by a heroine who thinks ahead of her time.
WINNER | “Best Horror” | HollyShorts Film Festival | 2026
NOMINEE | “Best SCORE” | FilmQuest | 2026 (TBA)
WORLD PREMIERE | Galway Film Fleadh | 2026
“Beautiful and spooky Celtic horror”
Lesbian Lines (2026)
Dir. Cara Holmes
Fis Eirann (Screen Ireland) | Keeper Pictures | Wildcard
Music by DIE HEXEN (Additional Music by Ruth Bate)
“An intimate portrait of a network of underground telephone helplines established by a small community of Irish lesbians in 1979.”
At a time when homosexuality faced intense social and legal hostility in Ireland, a group of women created a lifeline for those experiencing isolation, abuse and profound loneliness. Every call was logged as handwritten notes, kept through decades of constitutional change as women fought for their rights in an oppressive and conservative society. Lesbian Lines brings together an ensemble cast of original helpline volunteers and actors to breathe life into this rich, undocumented history, weaving collective memories into a moving and joyful new archive. Blending dramatised sequences with archival material, it is a story of community, connection and the transformative power of listening.
WINNER | “Best Irish Feature Documentary” | Docs Ireland | 2026
WINNER | “Best Feature” | GAZE | 2026
WINNER | “Audience Award” | GAZE | 2026
WORLD PREMIERE | Sheffield Docs Festival | 2026
“The cinematography from Aidan Gault is excellent, as is the score from Die Hexen”
Double Blind (2023)
Dir. Ian Hunt-Duffy
Fis Eirann (Screen Ireland) | Failsafe Films | Epic Pictures
Music and Additional Sound by DIE HEXEN
After an experimental drug trial goes awry, the test subjects face a terrifying side effect: if you fall asleep you die. Trapped in an isolated facility, panic ensues as they try to escape and somehow stay awake.
NOMINEE | “Best Original Music" | The Irish Film & Television Academy Award | 2024
“The grinding, pulsing score by avant-garde musician Die Hexen serves to amplify the sense of oppression and growing panic.”
SAUL & I
Dir. Jon Beer
Out of Orbit / BFI / NI Screen
Score by DIE HEXEN
Nina Regan, an established performance artist, launches her much-anticipated exhibition, the first since spending a decade in prison for the killing of her long-term collaborator Saul Olufsen. On the eve of opening night, Nina is interviewed where she describes the inspiration to put on this controversial show and the unseen video The Burial, the fated performance which resulted in Saul’s death.
WINNER | “The Tiernan McBride Award for Best Fiction Short” | Galway Film Fleadh | 2021
THE VEILED ONES
Created & Directed by Megan & Jessica Kennedy, the Junk Ensemble
A TRACKS co-commission from Dublin Fringe Festival, Cork Midsummer Festival and Baboró International Arts Festival for Children.
This dance theatre production for young audiences explores witches, transformations and the powerful relationship between a grandparent and grandchild. Created by an award-winning team and loosely informed by Roald Dahl’s The Witches, the audience are invited on an intriguing journey through intricately designed rooms with a cast of internationally acclaimed dancers, young performers and live musicians.
WORLD PREMIERE | Dublin Fringe Festival | 2021
SHE LIVES ALONE
Dir. Lucy Rose
Candel & Bell | BFI
Music & Sound Design by DIE HEXEN
A reclusive tenant lives on the barren Cumbrian moors with her only goal of getting from one day to the next. A familiar but bitter presence begins to fester in the home. Will she expel the spirit or succumb to its dark nature?
WINNER | Prague International Film Festival | 2020
WELCOME TO A BRIGHT WHITE LIMBO
Dir. Cara Holmes
Invisible Thread ""| Screen Ireland
Music & Sound Design by DIE HEXEN
Oona Doherty is a Belfast-based dancer and choreographer. She is bold, complex, arresting and ambitious. This innovative, poetic and visually arresting documentary is a portrait of Oona and the creative process of her award-winning show Hope Hunt.
WINNER | "Best Short Film" | The Irish Film & Television Academy Award | 2020
WINNER | “Best Irish Short Film & Discovery Award” DIFF | 2020
SIGNAL
Director: Diarmuid Donohoe
Composer: DIE HEXEN
Two young boys set out to build a machine that can speak to the energy that created the universe.
ARENA
Dir. Helen Warner
Village Films | BFI | NI Screen
Music & Sound Design by DIE HEXEN
An experimental short film that explores the theme of female rivalry within the patriarchal arena. Trapped in a vicious circle fulled by envy and jealousy, a theatre understudy transcends and finally confronts the real source of her dark emotions.
WORLD PREMIERE | Cork International Film Festival | 2020
EYE EXAM
Dir. Aislinn Clarke
Shudder | Disney "| Hulu
Music by DIE HEXEN
A woman is waiting for her eye exam when the last customer runs out screaming.
WINNER | “Best Horror” | Short. Sweet. Film Fest | 2021
WINNER | “Best International Horror” | Venice Shorts | 2020
WINNER | “Best Film Absurd” | Assurdo Film Festival | 2020
STIGMA
Dir. Helen Warner
Out of Orbit | BFI | NI Screen
Music & Sound Design by DIE HEXEN
A string of confessions unveil a tale of religious guilt, sin and redemption in this short experimental drama.
WINNER | “Grand Prix Irish Short Award” | CIFF | 2018
POLLEN
Dir. Helen Warner
Out of Orbit | BFI | NI Screen
Music & Sound Design by DIE HEXEN
She knew he would find her. Many had told her, that one day he would come.